Kuntz
AP Art History
AP
CONTENT: What do you see?
FORM: The details (what you see more exactly). How the artist delivers the content.
CONTEXT: Everything NOT observable.
FUNCTION: The intended purpose of the work.
Assignments:
READINGS:
UNIT Sheet: below
SNAPSHOT Sheet:
Global Contemporary Unit Sheet
APAH 250 Artworks:
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Installation
224. The Gates, Christo and Jeanne-Claude
225. Vietnam Veterans Memorial, Maya Lin
248. Shibboleth, Doris Salcedo
238. Electronic Superhighway, Nam June Paik
Identity
242. Lying with the Wolf, Kiki Smith
243. Darkytown Rebellion, Kara Walker
236. En la Barberia no se Llora (No Crying Allowed in the Barbershop), Pepon Osorio
231. Untitled (#228), from the History Portraits series, Cindy Sherman
232. Dancing at the Louvre, from the series, The French Collection, part 1; #1, Faith Ringgold
Culture
235. Rebellious Silence, from the Women of Allah series, Shirin Neshat (artist); photo by Cynthia Preston
237. Pisupo Lua Afe (Corned Beef 2000), Michel Tuffery
244. The Swing (After Fragonard), Yinka Shonibare
245. Old Man’s Cloth, El Anatsui
233. Trade (Gifts for Trading Land with White People), Jaune Quick-to-See Smith
234. Earth’s Creation, Emily Kame Kngwarreye
229. A Book from the Sky, Xu Bing
250. Kui Hua Zi (Sunflower Seeds), Ai Weiwei
228. Androgyne III, Magdalena Abakanowicz
226. Horn Players, Jean-Michel Basquiat
230. Pink Panther, Jeff Koons
247. Preying Mantra, Wangechi Mutu
246. Stadia II, Julie Mehretu
227. Summer Trees, Song Su-nam
241. Pure Land, Mariko Mori
239. The Crossing, Bill Viola
Architecture
152. House in New Castle County, Robert Ventura, John Rausch and Denise Scott Brown
240. Guggenheim Museum Bilbao, Frank Gehry
249. MAXXI National Museum of XXI Century Arts, Zaha Hadid